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sound_pressure [2021/03/23 02:16] – [The Dynamic Microphone] mariano.castillo | sound_pressure [2021/03/23 22:23] (current) – [Devices] mariano.castillo | ||
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{{sensors: | {{sensors: | ||
- | Figure 1. Basic principle of magnetic induction | + | Figure 1. Basic principle of magnetic induction |
{{sensors: | {{sensors: | ||
- | Figure 2. Front and section views of a moving coil microphone assembly | + | Figure 2. Front and section views of a moving coil microphone assembly |
The most common uses for dynamic microphones usually consist of on-stage musical performances, | The most common uses for dynamic microphones usually consist of on-stage musical performances, | ||
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- | Figure 3. Relationships in a charged capacitor | + | Figure 3. Relationships in a charged capacitor |
{{: | {{: | ||
- | Figure 4. Simplified electrical circuit, plus front and section views of a condenser microphone assembly. | + | Figure 4. Simplified electrical circuit, plus front and section views of a condenser microphone assembly |
Condenser microphones are widely used in studio music recordings due to their superior sound quality and sensitivity towards incoming soundwaves. These microphones also have the best transient response and the widest frequency response of all types of microphones, | Condenser microphones are widely used in studio music recordings due to their superior sound quality and sensitivity towards incoming soundwaves. These microphones also have the best transient response and the widest frequency response of all types of microphones, | ||
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{{: | {{: | ||
- | Figure 5. Definition of the pressure gradient | + | Figure 5. Definition of the pressure gradient |
{{: | {{: | ||
- | Figure 6. Typical electrical circuit, plus front and section views of a ribbon gradient microphone assembly. | + | Figure 6. Typical electrical circuit, plus front and section views of a ribbon gradient microphone assembly |
Ribbon microphones are very fragile and can be damaged easily. Therefore, they are almost limited to in-studio controlled applications where treble response is not an essential requirement. | Ribbon microphones are very fragile and can be damaged easily. Therefore, they are almost limited to in-studio controlled applications where treble response is not an essential requirement. | ||
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- | Figure 7. Theorical polar response | + | Figure 7. Theorical polar response |
The most common polar patterns include: | The most common polar patterns include: | ||
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- | Figure 8. Frequency response curve | + | Figure 8. Frequency response curve (Rochman, 2017). |
===== Media ===== | ===== Media ===== | ||
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===== Devices | ===== Devices | ||
- | {{template> | + | ^ Company |
- | |company = Neumann | + | ^ Model | KM 184 | |
- | |model = KM 184 | + | ^ Sources |
- | |sources=[[https:// | + | ^ Description |
- | |description= | + | ^ Datasheet |
- | |datasheet=[[https:// | + | |
- | |resources= | + | |
- | |notes= | + | |
- | |variants= | + | |
- | }} | + | |
- | {{template> | + | ^ Company |
- | |company = Shure | + | ^ Model | SM7B | |
- | |model = SM7B | + | ^ Sources |
- | |sources=[[https:// | + | ^ Description |
- | |description= | + | ^ Datasheet |
- | |datasheet=[[https:// | + | |
- | |resources= | + | ^ Company | RØDE Microphones |
- | |notes= | + | ^ Model | NTR | |
- | |variants= | + | ^ Sources | [[http:// |
- | }} | + | ^ Description | Active ribbon microphone | |
+ | ^ Datasheet | [[http:// | ||
- | {{template> | ||
- | |company = RØDE Microphones | ||
- | |model = NTR | ||
- | |sources=[[http:// | ||
- | |description= Active ribbon microphone | ||
- | |datasheet=[[http:// | ||
- | |resources= | ||
- | |notes= | ||
- | |variants= | ||
- | }} | ||
===== External Links & References | ===== External Links & References |