======Interface Design: Bibliography======

===== A =====
  * Abbott, C. 1982. "Remembering Performance Gestures." In //Proceedings of the 1982 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 188-193.
  * Accot, J. and S. Zhai. 1997. "Beyond Fitts' Law: Models for Trajectory-Based HCI Tasks." In //Proceedings of the 1997 ACM Conference on Human Factors in Computing Systems.// New York, NY: ACM Press, pp. 295-302.
  * Accot, J. and S. Zhai. 1999. "Performance Evaluation of Input Devices in Trajectory-based Tasks: An Application of The Steering Law." In //Proceedings of the 1999 ACM Conference on Human Factors in Computing Systems.// New York, NY: ACM Press, pp. 466-472.
  * Accot, J. and S. Zhai. 2001. "Scale Effects in Steering Law Tasks." In //Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems. //New York, NY:ACM Press, pp. 1-8.
  * Akamatsu, M., I. S. MacKenzie, and T. Hasbrouc. 1995. "A Comparison of Tactile, Auditory and Visual Feedback in a Pointing Task using a Mouse-Type Device."// Ergonomics// 38:816-827.
  * Akamatsu, M., and I.S. MacKenzie. 1996. "Movement Characteristics Using a Mouse with Tactile and Force Feedback."// International Journal of Human-Computer Studies// 45:483-493.
  * Allison, J. and T. Place. 2003. "SensorBox: Practical Audio Interface for Gestural Performance.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression- NIME03, //pp. 208-210.
  * Almeida, A. G. 1996. "Methodologies for Design and Evaluation of Interactive Musical Interfaces." In //Proceedings of the 3rd Brazilian Symposium on Computer Music//, pp. 68-73.
  * Alt, F., Shirazi, A., Legien, S., Schmidt, A., Mennenoh, J., 2010. "Creating Meaningful Melodies from Text Messages", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME10// pp. 63
  * Andersen, T. H. 2003."Mixxx:Towards Novel DJ Interfaces.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03, // pp. 30-35.
  * Anderson, T., and D. Hearn. 1994. "Using Hyperinstruments for the Redistribution of the Performance Control Interface." In //Proceedings of the 1994 International Computer Music Conference//. San Francisco: International Computer Music Association, pp. 183-184.
  * Anderton, C. 1994. "STEIM: In the Land of Alternate Controllers." //Keyboard// 20(8): 54-62.
  * Appleton, J. 1989. "//21st-Century Musical Instruments: Hardware and Software.//" New York: Institute for Studies in American Music, Brooklyn College of the City University of New York.
  * Arfib D., and J. Dudon. 2002. "A Digital Emulator of the Photosonic Instrument.", In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression- NIME02//, pp. 128-131.
  * Artaud, A. 1998. Review, "Big Briar Wavefront. Ethervox and Travel case theremins provide gestural MIDI control." //Electronic Musician// 14(5):120-128.
  * Auer, V., M. M. Maes, M. C. Bonfim, M. M. Wanderley, and M. V. Lamar. 1996. "3D Position Signal Acquisition System with Application in Real-Time Processing." In //Proceedings of the ICSPAT '96 -International Congress on Signal Processing Applications Technology//, pp. 505-509.
  * Azzolini, F., and S. Sapir. 1984. "Score and/or Gesture - The System RTI4I for Real Time Control of the Digital Processor 4I." In //Proceedings of the 1984 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 25-34.

===== B =====
  * Baba, T., Hashida, M., Katayose, H., "“VirtualPhilharmony”: A Conducting System with Heuristics of Conducting an Orchestra", In // Proceedings of the 2010 Conference on New Interfaces for Musical Expression // pp. 263 
  * Baalman, M. A. J. 2003."The STRIMIDILATOR, a String Controlled MIDI-Instrument.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression- NIME03, // pp. 19-23.
  * Baecker, R. M., and W. A. S. Buxton. 1987. "Readings in Human-Computer Interaction: A Multidisciplinary Approach." San Mateo, Calif.:Morgan-Kauffmann Publishers, Inc.
  * Baecker, R. M., J. Grudin, W. A. S. Buxton, and S. Greenberg. 1995. //Readings in Human-Computer Interaction: Toward the Year 2000.// San Mateo, Calif.:Morgan-Kauffmann Publishers, Inc.
  * Bahn, C., and D. Trueman. 2001. "Interface: electronic chamber ensemble." Presented at the //NIME Workshop - CHI 2001.//
  * Bahn, C., T. Hahn, and D. Trueman. 2001. "Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music." In //Proceedings of the 2001 International Computer Music Conference.// San Francisco, International Computer Music Association.
  * Bailey, N. J., A. Purvis, I. W. Bowler, and P. D. Manning. 1993. "Applications of the Phase Vocoder Interface in the Control of Real-Time Electronic Musical Instruments." //Interface// 22:259-275.
  * Baird, K. C. 2003. "Multi-Conductor:An Onscreen Polymetrical Conducting and Notation Display System.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression- NIME03, // pp. 211-212.
  * Baki Kocaballi, A., Gemeinboeck, P., Saunders, R., 2010.  "Investigating the Potential for Shared Agency using Enactive Interfaces", In // Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME 2010 // pp. 47 
  * Balakrishnan, R., and I. S. MacKenzie. 1997. "Performance Differences in the Fingers, Wrist and Forearm in Computer Input Control." In //Proceedings of the CHI'97 Conference on Human factors in Computing Systems, // Association of Computer Machinery, pp. 303-310.
  * Battier, M. 1981. //Les musiques électroacoustiques et l'environnement informatique.// PhD thesis, University of Paris X.
  * Bauer, W., and B. Foss. 1992. "GAMS: An Integrated Media Controller System." //Computer Music Journal// 16(1):19-24.
  * Baumann A., and R. Sanchez. 2002. "Interdisciplinary Applications of New Instruments.", In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression - NIME02//, pp. 49-53.
  * Bernard D. 2002. "Experimental Controllers for Live Electronic Music Performance (vs. Copyright).", In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression - NIME02//, pp. 190-191.
  * Berthaut, F., Desainte-Catherine, M., Hachet, M., 2010. "DRILE: an immersive environment for hierarchical live-looping", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME10// pp. 192
  * Bertini, G., and P. Carosi. 1992. "Light Baton: a System for Conducting Computer Music Performance." In //Proceedings of the 1992 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 73-76.
  * Blaine, T. and T. Perkis. 2000. "The Jam-O-Drum Interactive Music System: A Study in Interaction Design." //Proceedings of the ACM Symposium on Designing Interactive Systems.// New York, NY: ACM Press, pp. 165-173.
  * Blaine T., and C. Forlines. 2002. "JAM-O-WORLD:Evolution of the Jam-O-Drum into the Jam-O-Whirl Gaming Interface.", In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression - NIME02//, pp. 17-22.
  * Blaine, T. and S. Fels. 2003. "Contexts of Collaborative Musical Experiences.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03, //pp. 129-134.
  * Bobick, A. 1997. "Movement, Motion." MIT Activity, and Action: The Role of Knowledge in the Perception of Motion." MIT Media Laboratory Perceptual Computing Section. //Technical report//, 413.
  * Boie, R., M. Mathews, and A. Schloss. 1989. "The Radio Drum as a Synthesizer Controller." In //Proceedings of the 1989 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 42-45.
  * Bolas, M., and P. Stone. 1992. "Virtual Mutant Theremin." In //Proceedings of the 1992 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 360-361.
  * Bongers, B. 1994. "The Use of Active Tactile and Force Feedback in Timbre Controlling Electronic Instruments." In //Proceedings of the 1994 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 171-174.
  * Bongers, B. 1998. "An interview with Sensorband." //Computer Music Journal //22(1):13-24.
  * Bongers, B. 1998. "Tactual Display of Sound Properties in Electronic Musical Instruments." //Displays// 18:129- 133.
  * Bongers, B. 1999. "Exploring Novel Ways of Interaction in Musical Performance." In //Proceedings of the Creativity & Cognition Conference//, pp. 76-81.
  * Bongers, B. 2000. "Physical Interfaces in the Electronic Arts. Interaction Theory and Interfacing Techniques for Real-time Performance." In M. Wanderley and M. Battier, eds. //Trends in Gestural Control of Music.// Ircam - Centre Pompidou.
  * Bongers B., and Y. Harris. 2002. "A Structured Instrument Design Approach: The Video-Organ.", In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression- NIME02//, pp. 86-91.
  * Borchers, J.O. 1997. "WorldBeat: Designing a Baton-Based Interface for an Interactive Music Exhibit." In //Proceedings of the CHI’97 Conference on Human Factors in Computing Systems.// Association for Computer Machinery, pp. 131-138.
  * Borchers, J.O., and M. Muhlheuser. 1998. "Design Patterns for Interactive Musical Systems." //IEEE Multimedia// 5(3):36-46.
  * Boulanger, R., and M. V. Mathews. 1997. "The 1997 Mathews' Radio Baton and Improvisation Modes." In //Proceedings of the 1997 International Computer Music Conference//. San Francisco, International Computer Music Association, pp. 395-398.
  * Boulanger, R., Y. J. Choi, and L. Castelli. 2000. "Developing a Windows and Macintosh Graphical User Interface for the Mathews Radio-Baton System." In //Proceedings of the 2000 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 547-550.
  * Brecht, B., and G. Garnett. 1995. "Conductor follower." In //Proceedings of the 1995 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 185-186.
  * Bromwich, M. A. 1997. "The Metabone: An Interactive Sensory Control Mechanism for Virtuoso Trombone." In //Proceedings of the 1997 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 473-475.
  * Bromwich, M. A. and J. Wilson. 1998. "Bodycoder: A Sensor Suit and Vocal Performance Mechanism for Real-Time Performance." In //Proceedings of the 1998 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 292-295.
  * Brown, A., "Network Jamming: Distributed Performance using Generative Music", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME10 // pp. 283
  * Bryan, N., Herrera J., Oh J., Wang, G., 2010. "MoMu: A Mobile Music Toolkit", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME10// pp. 174 
  * Buchla, D. "Lightning II MIDI Controller." Buchla and Associates' Homepage at [[http://www.buchla.com/|http://www.buchla.com/]].
  * Buchla, D., W. Buxton, C. Chafe, T. Machover, M. V. Matthews, R. Moog, J.-C. Risset, L. Sonami, and M. Waisvisz. 2000. "Round Table." In M. M. Wanderley and M. Battier, eds. //Trends in Gestural Control of Music.]]// Ircam - Centre Pompidou.
  * Bukvic, I., Martin, T., Standley, E., Mathews, M., 2010. "Introducing L2Ork: Linux Laptop Orchestra", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME10 // pp. 170
  * Burtner M. 2002. "Noisegate 67 for Metasaxophone: Composition and Performance Considerations of a New Computer Music Controller.", In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression - NIME02//, pp. 71-76.
  * Burtner, M. 2003. "Composing for the (dis)Embodied Ensemble: Notational Systems in (dis)Appearances.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03, // pp. 63-69.
  * Buxton, W. 1977. //Computer Music 1976/77: a Directory to Current Work.// Ottawa: The Canadian Commission for Unesco and University of Toronto: Structured Sound Synthesis Project.
  * Buxton, W.A.S., R. Sniderman, W. Reeves, S. Patel, and R. Baecker. 1979. "The Evolution of the SSSP Score-Editing Tools." //Computer Music Journal// 3(4):14-25.
  * Buxton, W.A.S. 1986. "Chuncking and Phrasing and the Design of Human-Computer Dialogues." InH.J. Kugler, ed. //Information Processing ‘86, Proceedings of the IFIP 10th World Computer Congress//, North Holland, pp. 475-480. Reprinted in R. Baecker, J. Grudin, W.A.S. Buxton, and S. Greenberg, eds. //Human-Computer Interaction: Towards the Year 2000//. San Mateo, Calif.: Morgan Kaufmann Publishers Inc., pp. 494-499.
  * Buxton, W.A.S. 1986. "There’s More Interaction than Meets the Eye: Some Issues in Manual Input." In D.A. Norman and S.W. Draper, eds. //User Centered System Design: New Perspectives on Human-Computer Interaction//. Hillsdale, NJ: Lawrence Erlbaum Associates, pp. 319-337. Reprinted in R. Baecker and W.A.S. Buxton, eds. //Readings in Human-Computer Interaction: A Multidisciplinary Approach.// San Mateo, Calif.: Morgan Kaufmann Publishers Inc., pp. 366-375.
  * Buxton, W.A.S. 1987. "The Haptic Channel." In Baecker and Buxton, eds. //Readings in Human-Computer Interaction: A Multidisciplinary Approach.// San Mateo CA: Morgan Kaufmann Publishers, pp. 357-365.

===== C =====
  * Cadoz, C., A. Luciani, and J. L. Florens. 1981. "Synthèse musicale par simulation des mécanismes instrumentaux. Transducteurs Gestuels Rétroactifs pour l’'étude du jeu instrumental." //Revue d'’Acoustique // 1984. "Responsive 59 : 279-292.
  * Cadoz, C., A. Luciani, and J. L. Florens. 1984. "Responsive Input Devices and Sound Synthesis by Simulation of Instrumental Mechanisms: The Cordis System." //Computer Music Journal// 8(3): 60-73. Reprinted in C. Roads, ed., //The Music Machine.// Cambridge, Mass.: The MIT Press, pp. 495-508.
  * Cadoz, C., and C. Ramstein. 1990. "Capture, Representation and Composition of the Instrumental Gesture." In //Proceedings of the 1990 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 53-56.
  * Cadoz, C., L. Lisowski, and J. L. Florens. 1990. "A Modular Feedback Keyboard Design." //Computer Music Journal// 14(2):47-51.
  * Cadoz, C. L. Lisowsky, and J. L. Florens. 1990. "Modular Feedback Keyboard." In //Proceedings of the 1990 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 379-382.
  * Cadoz, C., A. Luciani, J.-L. Florens, and N. Castagne. 2003. "ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03, // pp. 235-246.
  * Camurri, A. 1995. " Interactive Dance/Music Systems." In //Proceedings of the 1995 International Computer Music Conference. //San Francisco, International Computer Music Association, pp. 245-252
  * Camurri, A. 1997. "Network Models for Music and Motor Control." In //Self-Organization, Computational Maps and Motor Control//. Elsevier.
  * Camurri, A., M. Ricchetti, M. Di Stefano, and A. Stroscio. 1998. "EyesWeb - Toward Gesture and Affect Recognition in Dance/Music Interactive Systems." In //Proceedings of the Colloquio di Informatica Musicale CIM'98.// AIMI.
  * Camurri, A., P. Coletta, M. Peri, M. Ricchetti, A. Ricci, R. Trocca, and G. Volpe. 2000. "A Real-time Platform for Interactive Dance and Music Systems." In //Proceedings of the 2000 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 262-265.
  * Camurri A., R. Trocca, and G. Volpe. 2002. "Interactive Systems Design: A KANSEI based Approach.", In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression- NIME02//, pp. 155-162.
  * Cannon, C., S. Hughes, and S. O'Modhrain. 2003. "EpipE:Exploration of the Uilleann Pipes as a Potential Controller for Computer-Based Music.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03, // pp. 3-8.
  * Card, S.K., W. K. English, and B. J. Burr. 1978. "Evaluation of Mouse, Rate-controlled Isometric Joystick, Step keys, and Text keys for Text Selection on a CRT." //Ergonomics//, 21, 8, pp. 601-613. Reprinted in R. Baecker and W.A.S. Buxton, eds. //Readings in Human-Computer Interaction: A Multidisciplinary Approach.// San Mateo, CA.: Morgan Kaufmann Publishers Inc., pp. 386-392.
  * Card, S. K., J. D. Mackinlay, and G. G. Robertson. 1991. "A Morphological Analysis of the Design Space of Input Devices." //ACM Transactions on Information Systems, //9, 2, pp. 99-122.
  * Cariou, B. 1992. "Design of an Alternate Controller from an Industrial Design Perspective." In //Proceedings of the 1992 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 366-367.
  * Cariou, B. 1994. "The aXi0 MIDI Controller." In //Proceedings of the 1994 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 163-166.
  * Carrilo, A., Bonada, J., 2010. "The Bowed Tube: a Virtual Violin", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME10// pp.229
  * Cassinelli, A., Kuribara, Y., Zerroug, A., Ishikawa, M., Manabe, D., "ScoreLight: playing with a human-sized laser pick-up", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME10// pp. 144
  * Castine, P. An Evaluation of the User Interface in Digital Audio Systems. //Master's Thesis//. Technical University Berlin. 1988.
  * Chabot, X. 1989. "Performance with Electronics: Gesture Interfaces and Software Toolkit." In //Proceedings of the 1989 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 65-68.
  * Chabot, X. 1990. "Gesture Interfaces and a Software Toolkit for Performance with Electronics." //Computer Music Journal// 14(2):15-27.
  * Chabot, X. 1993. "To Listen and to See: Making and Using Electronic Instruments." //Leonardo Music Journal// vol. 3, pp. 11-16.
  * Chadabe, J. 1977. "Some reflections on the Nature of the Landscape within which Computer Music Systems are Designed." //Computer Music Journal //1(3): 5-11.
  * Chadabe, J. 1997. //Electric Sound: The Past and Promise of Electronic Music.// New Jersey: Prentice Hall.
  * Chadabe J. 2002. "The Limitations of Mapping as a Structural Descriptive in Electronic Instruments.", In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression - NIME02//.
  * Chafe, C. 1989. "Simulating Performance on a Bowed Instrument." In M. V. Mathews and J. R. Pierce, eds. //Current Directions in Computer Music Research. //Cambridge, Mass.:The MIT Press, pp. 185-198.
  * Chafe, C. 1993. "Tactile Audio Feedback." In //Proceedings of the 1993 International Computer Music Conference. //San Francisco, International Computer Music Association, pp. 76-79.
  * Choi, I., R. Bargar, and C. Goudeseune. 1995. "A Manifold Interface for a High Dimensional Control Space.", In //Proceedings of the 1995 International Computer Music Conference. San Francisco, International Computer Music Association, //pp. 385-392.
  * Choi, I., and C. Ricii. 1997. "Foot-Mounted Gesture Detection and its Application in Virtual Environments." In //Proceedings of the IEEE International Conference on Systems, Man and Cybernetics.//
  * Choi, I., G. Zheng, and K. Chen. 2000. "Embedding a Sensory Data Retrieval System in a Movement-Sensitive Space and a Surround Sound System." In //Proceedings of the 2000 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 141-144.
  * Choi, I. 2003. "A Component Model of Gestural Primitive Throughput.",  In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression- NIME03, // pp. 201-204.
  * Choi, H., Wang, G., "LUSH: An Organic Eco+Music System", In // Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME10 // pp. 112
  * Chu, L. 1996. "Haptic Feedback in Computer Music Performance." In //Proceedings of the 1996 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 57-58.
  * Chu, L. 1999. "MusiCloth:A Design Methodology for the Development of a Performance Interface." In //Proceedings of the 1999 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 449 - 452.
  * Chun, S., Hawryshkewich, A., Jung, K., Pasquier, P., 2010., "Freepad: A Custom Paper-based MIDI Interface", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME 2010 // pp. 31
  * Ciglar, M., 2010, "An ultrasound based instrument generating audible and tactile sound", In // Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME 2010 // pp. 19
  * Collins, N. 1991. "Low Brass: the Evolution of the Trombone Propelled Electronics." //Leonardo Music Journal// 1(1): 41-44.
  * Cook, P. R. 1992. "A Meta-Wind-Instrument Physical Model, and a Meta-Controller for Real Time Performance Control." In //Proceedings of the 1992 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 273-276.
  * Cook, P. R., D. Morrill, and J. O. Smith. 1992. "An Automatic Pitch Detection and MIDI Control System for Brass Instruments." //Acoustical Society of America Conference//, New Orleans.
  * Cook, P. R., D. Morrill, and J. O. Smith. 1993. "A MIDI Control and Performance System for Brass Instruments." In //Proceedings of the 1993 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 130-133.
  * Cook, P. R., and D. Trueman. 1998. "NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulations, and a Database of Measured Impulse Responses." In //Proceedings of the 1998 International Computer Music Conference//. San Francisco, International Computer Music Association, pp. 353-356.
  * Cook, P., and C. N. Leider. 2000. "SqueezeVox: A New Controller for Vocal Synthesis Models." In //Proceedings of the 2000 International Computer Music Conference.// San Francisco, International Computer Music Association, pp. 519-522.
  * Cook, P. 2001. "Principles for Designing Computer Music Controllers.", Presented at the //NIME Workshop - CHI 2001.//
  * Couturier JM. 2002."Scanned Synthesis virtual instrument.", In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression - NIME02//, pp. 176-178.
  * Couturier, J.-M. and D. Arfib. 2003. "Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform Music.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03, // pp. 184-187.

===== D =====
  * D'Arcangelo, G. 2001."Creating Contexts of Creativity: Musical Composition with Modular Components.", Presented at the //NIME Workshop - CHI 2001.//
  * D'Arcangelo G. 2002."Creating a Context for Musical Innovation: A NIME Curriculum.", In //Proceedings of the 2002 International Conference on New Interfaces for Musical Expression- NIME02//, pp. 102-106.
  * Dahl, L., Wang, G., 2010. "Sound Bounce: Physical Metaphors in Designing Mobile Music Performance", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression// pp. 178
  * Dannenberg,R., Brown, B., Zeglin, G., Lupish, L., "McBlare: A Robotic Bagpipe Player", In //Proceedings of the 2005 International Conference on New Interfaces for Musical Expression- NIME05 // pp. 80
  * Dobrian, C. and F. Bevilacqua. 2003. "Gestural Control of Music Using the Vicon 8 Motion Capture System.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression- NIME03, // pp. 161-163.
  * Downes, P. 1987. "Motion Sensing in Music and Dance Performance." In //AES 5th International Conference//. New York, NY: Audio Engineering Society, pp. 165 - 172.
  * Dubost, G. 1993. "Technologies de capteurs et leurs applications musicales." //Master's thesis.// UniversitéParis Sud Orsay, 1993.

===== E =====
  * Egozy, E. B. 1995. "Deriving Musical Control Features from a Real-Time Timbre Analysis of the Clarinet." //Master's thesis.// Massachusetts Institute of Technology.
  * Ellis, S.R. 1991. "Nature and Origins of Virtual Environments: A Bibliographical Essay." Excerpt reprinted in R. Baecker, J. Grudin, W.A.S. Buxton, and S. Greenberg, eds. //Human-Computer Interaction: Towards the Year 2000//. San Mateo, Calif.: Morgan Kaufmann Publishers Kaufmann Publishers Inc., pp. 913-932.
  * Essl, G., O’Modhrain, S., "Scrubber: An Interface for Friction-induced Sounds", In // Proceedings of the 2005 Conference on New Interfaces for Musical Expression - NIME05// pp. 70
  * Essl, G., Muller, A., 2010. "Designing Mobile Musical Instruments and Environments with urMus", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME10// pp. 76
  * Essl, G., Rohs, M., Kratz, S., "Use the Force (or something) - Pressure and Pressure- Like Input for Mobile Music Performance", In //Proceedings of the 2010 Conference on New Interfaces for Musical Expression - NIME10// pp. 182 

===== F =====
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  * Fels, S. 1994. //Glove-Talk II: Mapping Hand Gestures to Speech Using Neural Networks - An Approach to Building Adaptive Interfaces//. PhD Thesis, University of Toronto, Canada.
  * Fels, S.,  K. Nishimoto, and K. Mase. 1998. "MusiKalscope:A Graphical Musical Instrument.", //IEEE Multimedia// 5(3):26-35.
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  * Fléty, E. and M. Sirguy. 2003. "EoBody: a Follow-up to AtoMIC Pro's Technology.", In //Proceedings of the 2003 International Conference on New Interfaces for Musical Expression - NIME03, //pp. 225-226.
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